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Sheep go to Heaven, goats go to Hell... --Cake |
Monday, December 13, 1999 Final Portfolio Well. Today was interesting. I just wanna go to sleep right now, so I don't know how much non-poetic content this entry will end up having, but here's the quick rundown: I was up 'round the clock Sunday night. After finishing yesterday's entry, I continued working on that poem I was talking about, with some much-appreciated help from Georgina. (Thank goodness for Australian readers.) So, should you be wondering what I ended up doing... I basically ditched all the changes I made in the second draft (except for the title), reverted to Phebe's Remix of the first, and tinkered with the verse paragraph beginning "Well, maybe I don't have it in me." With the end result being this:
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Symbols, yes.
And, yes, perhaps rhymes,
And meter?
But that's not really enough,
No, you want blood, sweat, and tears,
You want the cobwebs in the corner,
Well, maybe I don't have it in me.
Maybe life is hard enough to deal with in REAL LIFE
Anyway,
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Elsewhere in my portfolio... those of you on my mailing list may recall a multi-part poem entitled "Coming to Terms," written back at the start of the semester, in September. What I ended up doing was scrapping all but the very last section, which I retitled, and expanded a bit. (For now, anyway. I expect to do something with the rest of the original poem down the line; just now, however, this was the most manageable solution.) The results are here, albeit not in the most aesthetically pleasing fashion. One problem with HTML is that you can't do hanging indents, and those are crucial for representing poetry properly on the page. Suffice it to say that the page width isn't that narrow on the actual thing, but this was the best compromise I could come up with, offhand.
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They say it is a miracle that, when skidding across four lanes of I-91, the family van didn't hit any other cars. And I agree. They say it is a miracle that, although my eyelid was cut clean through, my eyes themselves were unscratched. And I agree. They say it is a miracle that the damage to all of us wasn't much worse than it was, what with everybody but my mother and I-- and my grandfather, of course, but he tends not to be mentioned together with us survivors-- being up and about by the following day. And I agree. They say that we can find some comfort in the fact that my younger brother and his wife just had a son, whom they've named after my grandfather. Ultimately, they say, life goes on. And I agree. And they say all sorts of things about silver linings, and Divine Providence, and the importance of keeping a positive outlook and appreciating every day one gets, and lots of other crap along those lines. And I agree. | ||
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Well, I didn't say it was a cheerful poem. For that, or something in that ballpark, you'd have to turn to the revision of "Catnip," which I modified only superficially. I still want to morph it into a Petrarchan sonnet and develop it more fully, but I haven't had the chance to do so, so I settled for making a couple of really minor changes. Like so: (Shmuel looks at his printout and does a double-take.) Oh, no. I forgot to correct that again?! Oh, I don't believe this... Right. That's what happened; I made the correction, but didn't save it, and then... oh, darn. Oh, well. It wasn't that important, I guess. Those looking back at the previous draft will note a switch in phrasing in the first line; the version found there was actually a mistake on my part; the rhyme scheme demands that "heel" be at the end of the line, not "fetch." But, for the second time, the version I handed in has it the wrong way. Bleah. Oh, well. Anyway, here's the latest draft, corrected appropriately:
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Catnip
Let dogs go beg and scrape and fetch and heel;
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The final one's kinda personal, and involves my grandfather, and I'm not entirely comfortable with the idea of putting it up on the Web just now. Sorry about that. I'll probably pass it on to my notify and unnotify lists, though, especially as they've already seen the previous draft.
Anyway. I took a nap around 11 AM, getting up around 1 PM, just in time to read an e-mail that pretty much wrecked my mood for the rest of the day, but I'd just as soon not get into that here. Spent the next half-hour composing a reply, after which I realized that I was going to be late for class. Which I was, arriving about a half-hour into it, having missed the discussion of the first poem of this final session, but still participating for the rest of it, at least. Class ended somewhere around 4 PM, after which I went home and finally began work on my Indian History essays. Which I finished and e-mailed off right around midnight, which, the way I interpreted the instructions, was the deadline. About the best that can be said for said essays is that they're about the right length, and have something to do with the assigned topics.
During the course of the extended day, I listened to "Hail Holy Queen" from Sister Act at least seventy times, I would say, with the first seven or eight times being on video (rewinding after each time, except once, when I let the tape go on until the end of the film), before I switched to putting that track of the CD on endless repeat. I love that song. This was followed later in the evening by about fifteen repeats of "Sheep Go To Heaven," by Cake, from Prolonging the Magic, which I'm currently borrowing from a friend. And, yes, I'm aware of the irony involved here, following up a jazzed-up Catholic hymn with a ode to hedonism. Especially with me being a religious Jew. What can I say? I have eclectic tastes... Finally, for the home stretch of the last hour, I switched to my traditional standby of "Ooh Ooh Song," by Pat Benatar. Nobody beats Benatar for music to write by, at least in my experience.
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