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New York: the only city where people make radio requests like "This is for Tina -- I'm sorry I stabbed you." -- Carol Leifer |
Saturday, June 10, 2000 Speech, School, Stereo Back on May 22nd, I got evaluated by the Speech Clinic on campus. At the end of the hour or so, I was told that I did, in fact, need speech therapy, a conclusion which entirely failed to surprise me, oddly enough. Not very long after that, I got a copy of my official report in the mail. The report is interesting. It's two and a half pages long, and it has an impressive red CONFIDENTIAL stamp on the first page. I am wildly misquoted at several points along the way, but given that the point is that I have trouble making myself understood, this seems ironically appropriate. At any rate, the last page sums the whole thing up pretty well, so I'm just gonna violate my own privacy and pass it along to you guys:
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IMPRESSIONS AND RECOMMENDATIONSShmuel, a 27 year old senior at Queens College, who is majoring in English, presented with a very fast rate of speech in the spontanteous speech situation. Occasional moments of dysfluency were characterized by repetition of monosyllabic words and initial syllabic units. Articulatory skills were good, however, due to the fast rate of speech, he frequently omitted final consonants and some function words. He was able to self correct by prolonging the syllabic unit and pausing more frequently. However, his pausing was not always appropriate or meaningful. When reading aloud, Shmuel was able to decrease his rate of speech. | ||
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I actually have things to say about the "speaking turn" thing, but I'm going to put it on hold, I think. Which, given my track record, makes it unlikely that I'll get back to it, but c'est la vie. I've got too much ground to gallop through right now.
I may be returning to French 112 next semester. But not as an official student. See, I want to take the course, 'cause I never finished it the last time around, but I can't officially take it, because, in spite of everything, the professor I'd had at the time passed me, so financial aid won't cover the costs of taking it again. But it turns out the professor I had for French 111 -- with whom I got along well, and in whose class I learned stuff -- is teaching French 112 next semester, and she's willing to let me sit in on her classes. I'd like to do this, but don't know if I'll really have the time, so we'll see what happens; I figure I'll start out taking the class, and if it gets to be too much, I can always stop attending. Given that it's entirely "off the books," I've got nothing to lose by giving it a shot.
My essay on Pygmalion did get done, although it took a bit longer than it should have. But it finally jelled, and I wrote it, and, should you be interested, it'll be in Rich Text Format here for the next little while. And it came to pass that my British Literature professor loved it, and gave me an A+ on the essay, and an A in the course, which was a half-grade higher than I'd expected on both counts. And it was good.
As for my other courses... I got an A in my acting course, and a B in Geology. I am happy with this. That the Geology grade is the lowest one I've gotten in all my college days fails to bother me in the least; it could've been worse, and I don't have to take a geology course ever again. In point of fact, I have only two course requirements left: one in social sciences, and one physical education class. The latter continues to scare me. But other than that, I can write my own ticket in my final two semesters. Well, almost. Admittedly, my entire schedule this coming semester consists of trying to wrap my classes around a course in The Comic Muse that's in a fairly inconvenient time slot (early afternoons, Mondays and Wednesdays), but which I nonetheless have to take, if only because I begged its professor to teach it. Be careful of what you wish for... More to the point, I've wanted a course in comedy ever since I came here, and this is gonna be my only chance to get it. And it oughta be good. It's just complicating the rest of my schedule, that's all.
The tentative lineup for next semester consists of said course in comedy, my tutorial in Provocative Language, an art course (currently painting, but I'm going to try to trade it in for graphic design, I think), and a course in plays (taught by the Drama department), although that last is a placeholder that I'm really hoping to trade in for something else. Between the first two courses on the list and my column in the college paper, I should have more than enough reading and writing; I'd rather do something else in the last course.
What else? Oh, yeah, my boombox. Briefly, then, I bought a boombox. It was this past Sunday; I got to J&R Music World ten minutes before closing time, quickly found a dual-cassette boombox with a line-in jack, confirmed with a sales clerk that they didn't have any cheaper models fitting those criteria, and bought it. I was then faced with the challenge of transporting my new boombox home on the subway, feeling as if I were holding a neon sign screaming "STEAL ME!" in foot-tall letters, but, in fact, nothing happened. And it turns out to be an adequate piece of equipment that does what I want it to, which -- at this point -- primarily consists of making mix tapes. I'm still amazed at how hard it was to find in the first place, though.
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